Category Archives: Shizzle, Inc.

Writing Lessons You Need to Unlearn. Or do you?

An award-winning author, whose first language is not English… there’s hope for me yet! I second his motion of hiring editors, regardless of where you were born.

Nicholas C. Rossis's avatarNicholas C. Rossis

Grammar allergies Comic by Cyanide and Happiness

Happy Memorial Day, to my American readers!

You see, I may live in Greece, but I know it’s Memorial Day today.  Likewise, English is not my first language.  I was taught English at the tender age of two and a half, alongside Greek.  I had English-speaking au pairs to improve my English, I went to a school with plenty of English courses and I read English books, but I grew up in Greece, had Greek friends and spoke and read Greek on an everyday basis.  Therefore, you can understand why I was concerned when I decided to write in English: I was worried of making the odd silly mistake, having people laugh at my writing skills.  I have studied more grammar and vocabulary websites and books than I care to remember, just to make sure my English was correct. And then I realized that perhaps…

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Selective Cropping

It’s not often that you come across something so educational and hilarious at the same time.

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Ten things I’ve learned from my copyeditor

Despite being the single highest cost of self-publishing so far, the copyedit will be the one expense I will never regret.

That would have been the list if this article was entitled “A single most important thing I’ve learned”. But it’s not, so there are ten more below. Which I guess makes it eleven…never mind! Anyway, after getting eight quotes and four samples from Australian and American editors, I chose Lu Sexton of A Story to Tell to copyedit Shizzle, Inc and I’m blown away with the results. To be honest, I had a lot of reservations about paying for editing. After all I’ve already had a structural edit; I’ve revised the draft no less than a hundred times myself; I speaka English real good. Handing over cash for a promise of making your draft better is scary, even if that promise comes with a professional reputation and an exceptional sample edit.

In the end it was probably that sample that did it. Lu didn’t just pick up grammatical errors and turns of phrase, she made a few clever suggestions for heightening the drama and comedy without losing my protagonist’s voice. I had the balls to ask if the rest of the manuscript would get a similar treatment and got a polite answer that yes, it would. And it did. I got back not just an improved manuscript, but a lesson in writing, customised just for me. Here’s the list of lessons I promised, in no particular order:

1. Confusing turns of phrase, such as “my destiny was to be discovered”. Isa thinks she is meant to be discovered, but Lu thought it reads as if Isa is about to find out what her destiny is meant to be. I couldn’t agree more.
2. People jump off bridges, not from them. Snakes are venomous, not poisonous.
3. How often my characters “waived” their hands and got their feelings “crushed”.
4. Continuity and circumstances not matching what characters are doing. It’s lunchtime, but Isa is not hungry. Dress is matte in one sentence and shimmery in the next.
5. Explaining things too much. Once the character is in a lobby, you can call it “it” and not have to remind the reader that we are still talking about the lobby. They will get it.
6. Character’s voices not matching their choice of words. The posh evil antagonist slipping into slang, or dim Isa using formal speech.
7. Impossible combinations of actions, such as “I managed to close my mouth and said”.
8. Rhythm. Amazing how cutting a few words or moving sentences around improved the flow. For example, when describing a person, its awkward to move from face to shoes and back to face. Unless of course it suits your character, which in my case it didn’t.
9. Using more contemporary references. It’s hard to pretend to be a girl half your age. Twenty-year olds would compare massive speakers to those that can be found at a Skrillex concert, not Rolling Stones.
10. I have writing tics. Several of them. Everything was “something-looking”. Metaphors are great, but there are more interesting ways to describe them.

Most of the suggestions were not just track changes, they were accompanied by comments explaining the reason for change. Not only that, I got a separate style sheet, to help my proof reader. I didn’t know those existed!

I could go on, but this is starting to get embarrassing. Plus, as we know, numbered lists attract more attention, and what is better than a nice fat top ten? So keep on writing, and start a savings account for the copyedit. You won’t regret it.

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When does it pay to pay a pro?

I got some good news and some bad ones. The bad news is that the cover designer completely ignored my specific directions and came up with this revised version:
ShizzleInc_cover3

I hated it on first sight, but just had to check on Twitter. Overwhelmingly, everyone else hated it too. Someone even said the lips and bubble gum look pornographic. Great. I’ve pulled the plug and asked for my money back under the designer’s 100% satisfaction guarantee. Not looking forward to their reply. Not sure yet if I’m gonna get anyone else or do it myself. One thing for sure, if I hire another designer, he or she will need to be local and willing to meet with me to discuss ideas before photoshopping bejeezuz out of stock images.

On other hand, I could not be happier with the copyeditor! I will post a more comprehensive review after I’m done going through literally thousands of her tweaks. Truly a value for the money and a must do exercise.

Next week is all about revisions and setting up a Kindle account. Should be a piece of cake, compared to the cover saga…

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I need your help!

I finally got my draft cover from the designer! Maybe because the buildup to this day was so intense, I can’t help but be a little disappointed. I know it’s just the concept, and it looks professional, but at the first look neither one of the two versions grabbed me:
ShizzleInc_cover1 small ShizzleInc_cover2 small

After a few hours of staring, however, it occurred to me that it’s not about whether I like it, it’s all about whether you do. Do you? Please let me know what you think. I’ve decided to wait a couple of days before I get back to the designer, but here are my thoughts so far:

What I DO like about this concept:

1. It looks like a “chicklit” cover, which is helpful for potential buyers.
2. It’s simple, with bold lettering.
3. Cute treatment of the “S” in my last name.

What I DON’T like:

1. It’s not funny or original and does not let the reader know that it’s a bizzare comedy.
2. It’s static and the girl has no emotion. None of the adorable innocence and bewildered ignorance of Isa.
3. The lift does not say “corporate offices of a billionaire”. It looks like she’s just going to work in any office.
4. The title and author name are competing in size.

This was my mockup, provided to the designer:
Cover mock up bubble girl and man arms

I wanted a juxtaposition of a bubbly girl and a cutthroat corporate world. The torn paper represents the chaos Isa brings to the empire of Shizzle, Inc. Once again, though, it’s my opinion. What do you think?

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Damn, it feels good to be a gangsta…

Well, not a gangsta, but in charge. I got my peeps working on the copy edit and cover, you dig? Got myself a project plan and deadlines, targets and KPIs. (Do gangstas have KPIs? Or target revenue?) In any case, I will be published on Kindle in early August, and after a year of waiting by the inbox it feels damn good.

I also want to give a shout out to my mama, who didn’t buy the whole electronic thing and insisted that I print at lest one book for her to hold and proudly put on the shelf. Turns out you should listen to yo mama, cause this POD (print on demand) thing is bitchin’! I’ve compared a few major ones, like Lulu and Create a Space, and decided to go with Create a Space for now. Please do your own research, there are plenty of bloggers out there with much better attention span, who have posted proper comparisons. For me, the deciding factor was ease, as Create a Space is the affiliate of Amazon. The good news is, you don’t have to pay anything upfront. Personally, I will splurge on the cover design ($150 upgrade from ebook to paper cover) and probably a professional layout. To be honest, I can’t wait to hold my baby myself. I keep having visions of giggling hysterically on the bed, hugging the first edition to my chest. T-minus couple of months for that dream to come true.

Another exciting news is that after two years with Twitter, I have finally discovered Twitter Analytics. Literally, hours of entertainment. For example, it turns out that over the last week I’ve had about a thousand “impressions” per day. (I’ve been very unproductive in my “real” life). That means a thousand people per day have seen my tweets, and the average conversion rate of 11% means just over a hundred people per day clicked on, favourited, or retweeted my Tweets. (Warning: Twitter Analytics is more addictive than Clash of Clans).

Damn, it feels good to be in charge…Can’t wait to see what the draft of the cover looks like or what magic the editor does to my final draft.

T-minus a couple of weeks!

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You gotta know when to quit

Today is sort of a milestone. I’m giving up on the traditional publishers and going the self-published ebook route instead. Yes, I’m a quitter, I said it.

It’s only half-true, though – I’ve decided this a few weeks back, after the latest rejection email. Since then I’ve done quite a bit of research and preparation to produce the best possible work I can. You may or may not be aware just how Russian I am. I hope my “written accent” is not as harsh as my spoken one. Still, I had to come to terms with the fact that maybe, just maybe my prose is not all that “native”. That meant I had to start throwing money at the problem.

I’ve already had a structural review by a Writers Victoria editor. This time I got quotes for a copy editor, a professional who would help me “smooth out” the awkward turn of phrase and fix my grammar. As part of the quote, I have asked for sample edits of the first couple of pages. Here’s my favourite one:

Winning sample edit

Not everyone was as thoughtful and managed to fix my errors without losing the protagonist’s “voice”. One editor crossed out the first paragraph alltogether and wrote a new one. Another corrected grammar and word choices to the point that my chicklit novel read like a textbook.

The copyedit will be finished by the end of June, by which time I will have a proofreader ready. I plan to get an American editor, since the novel is set somewhere in the southeastern US. Al together the structural edit, the copy edit and the proofread will cost me about $3,500 AUD. Ouch.

My next problem are the potential lawsuits I could face from making fun of a host of celebrities. Yeah, I know, the comedians on TV do it all the time, but I want to make sure my gags don’t land me in court. Also, the novel has many “spoofy” moments, making fun of various films, quoting song lyrics, and books. Better safe than sorry. I’m currently seeking advice from Arts Law, an organisation offering advice to artists at a very low fee (just a $150 annual subscription). I will post later on my experiences with Arts Law lawyers. Hope my review wouldn’t land me in court, either.

Then there’s the cover art, ISBN number, promotional copy, and a headshot of the happy author…I will be busy for a couple of months. My goal is to have the ebook available on Amazon Kindle by the end of August. Most importantly, I will have a big fat (and very expensive) dot at the end of this project. Hopefully it will let me move on and start writing a sequel. And that, as VISA claims, is priceless.

(Can I quote a VISA commercial if I give them credit? How does it work? Is VISA going to sue me now? What if I said “pricewise” instead of “priceless”? Hope the lawyers call back soon…)

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Wait better

Why does it have to be so hard? Why does it never stop? I’ve already waited for months for a response to a query letter and now I have to wait for an unknown length of time for an agent to read my manuscript.

To think about it, even if my dream comes true and the agent signs me on, there will be only more waiting to come. Waiting for a publisher to respond to query, waiting for them to review the manuscript, waiting for a decision. Even the ultimate dream of publishing will be all about waiting, waiting, waiting…

I am terrible at waiting. Which is silly, because how hard could it be? All you have to do is watch hours of TV and eat Cheetos. Trouble is, I don’t do either. So instead, I go through my days as if under a spell, constantly daydreaming about “what if?” Sometimes it’s good, sort of a barely contained giggle of “OMG, here it comes!” Other times it’s more like a monotonous drone of an air conditioner in the doctor’s office, while you wait to be stabbed with a needle.

I hate it. I love it. I’m basically addicted to it. Considering that I ain’t got no skills on how to deal with the addiction, I turned to Google for advice on how to get over it. Google suggested that I distract myself with something else. Here are some ideas of things to do while waiting for the agent’s response:

1. Go to movies. Except to that Interstellar flick. You’ve been warned.
2. Have sex. Again and again, if that’s what it takes.
3. Take a nap.
4. Call your mother and get into an argument about something. The topics are endless, like for example, why you are getting married so soon.
5. Clean scale insects off a massive house plant. Trust me, going back to aimless waiting will be a joy.
6. Miss a Coles delivery because you were having sex and get into a huge fight with the customer rep over the cancellation fee.
7. Draft a lengthy email to Coles complaining about the customer rep. Have a lengthy discussion with your partner about the reasons it was not your fault. Read the Coles customer agreement. The whole thing. Rejoice at having found a loophole and craft another lengthy email.
8. Eat strawberries in bed (any fruit will do).
9. Read a book. Hey, this is actually good advice! All decent writers swear by this whole reading thing.
10. Start writing your next book. Now, this is the best advice yet. I’m gonna go take some of it myself.

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Lots of fish in the (American) sea

It has occurred to me that while it may be helpful to have a spreadsheet tracking your agent submissions, it may be even more helpful to know where to get the contact details to populate the said spreadsheet.

For me, it was quite the process. At first, I have applied to, and was rejected by, a number of Australian agents. It got me thinking about who could potentially be interested in my novel. While I believe in casting the net wide, it also makes sense to cast it where the fish…er, agents are likely to hang out. Since my novel is set in the US and would most likely appeal to the US audiences, it would make sense to seek representation from the US agents. This was actually the general sentiment I got from all the Australian agents who bothered to send me a rejection letter.

Having figured that much out, the next logical step for me was to find those American agents. I thought I’d have to spend hours Googling them, but luckily some wonderfully smart, hard-working, generous, and undoubtedly good-looking people have already done that for me!

literaryrejections

The site contains literally hundreds upon hundreds of American literary agents’ contacts, including website links, types of manuscripts they seek, and even submission guidelines. On the first glance, it’s overwhelming. I’ve read somewhere that there are over 1,000 literary agencies in the US, a number which fills my heart with stupid, unwarranted hope.

So, the next logical step is to narrow down this enormous playing field to a reasonable number, let’s say 100. You can choose your own target, depending on how much sleep you need on an average night.

But how exactly do you do that? Is there a magical algorithm that can troll through the list and spit out the list of agents most likely to read your query or the sample chapters? If there is, please email it to me! Because what I had to do was to look at each agency’s website. There are good reasons to do that – you get to see which books they’ve recently published, and agents often write in their bios about which books they love to read. All that would help you figure out if there’s a chance they will read yours or at least a sample of it. There’s no point in sending your romance novel to a high-brow literary firm, and vice versa.

Another good reason to visit the agency’s website is that things change – agents come and go, submission guidelines change, some agents may be temporarily closed for queries. So don’t rely on the master list above alone, a bit of due diligence will save you a lot of time in applying and hopefully the heartbreak of reading more than a fair share of rejection letters.

Once you’ve got your list, the next step is to start firing off the submissions. There are two schools of thought on this. Some recommend sending your submission to one agent at a time. Muahaha! Seriously, not in this age of social media and the ever-increasing speed of change. The other camp mass-produces applications, often not slowing down enough to check that the agent’s name is correctly spelled, or that Mr. or Ms. is used correctly. Don’t be that guy!

My personal method consists of the following steps:

1. Send out a wave of submissions until I get tired, or bored, or both. Usually five or so. Or ten, depending on how much caffeine is circulating through my system.
2. Fantasize about getting “discovered” and signing books for adoring fans.
3. Read rejection letters.
4. Work a bit on the submission package (more on that later), until I start thinking something like “well, this just can’t get any better!”
5. Repeat steps 1-4 ad nauseum.

There you go – now go fish!

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“Insert comment here”

The hardest thing about writing a novel is not knowing if my target audience, or anyone at all, would actually find it amusing. Originally I was going to self-publish Shizzle, Inc on this blog one chapter at a time, but not while I am hoping against all odds to get it traditionally published. In a desperate attempt to get feedback from someone other than friends and family, I even paid a professional at Writers Victoria to review the draft. To my surprise and delight, the anonymous reviewer found it funny. They also sandwiched in some constructive criticism, but that will be material for another post.

For now, I’d like to share with you a short story that started as a character development exercise for Shizzle, Inc. The story is set about five years before the novel starts and it introduces Isa and her family’s dynamics. I’d love to know what you think about it.

GREAT GRANDPA

“Isabella? Is that you?”

I freeze, unable to say anything, or even think. Instead, I stare at his bedroom door, waiting for the door handle to turn.

“Isabella?” he says again. His voice is weak, but it resonates in the dead quiet of the house. “I need your help.”

I take a deep breath, let it out slowly, then turn the handle.

It’s dark, because the curtains have not been opened for days, and the last rays of daylight produce only a faint glow around the edges of old-fashioned heavy velvet. I shuffle towards the middle of the room, towards the greenish light of an alarm clock. I hold out my arms in hope of avoiding anything that could poke out an eye and, of course, bang my shin into the edge of the bed.

“Mother…!” I manage to catch myself just in time, finishing with a whisper of “Could I turn on a bedlight?”

He mumbles something that sounds like “If you must”.

I hold onto the edge of the mattress for reference and shuffle around it until I bang into the bedside table. This time I manage to keep quiet and pat the table until I find the lamp cord and the switch.

The light is weak, but he moans and turns his head away. I look down at him, waiting, but he does not move or say anything. He looks pale, like the sheets, and his matted hair is stuck to his forehead and temples. The room smells like sickness and old age. I try not to breathe.

Finally, he turns his head and looks at me. A weak smile is playing at the corners of his mouth.

“Isabella.”

“Yes, Dad. You said you need help?”

The smile fades. “Yes, but I’m afraid you can’t help me.”

“Oh,” I say. I hate to admit it, but I’m relieved. The fear that I will have to help him walk to the bathroom and wait outside the door, like yesterday, subsides.

“I’d like some water,” he says.

There is a full glass on the bedside table next to him. I pick it up and hand it over, but he just looks at me with that faint, pained smile, until I bring the glass to his lips and help him lift off the pillows. He drinks greedily, most of the water spilling down his chin, then falls back onto the pillows, exhausted. There is another moment of uncomfortable silence.

“Okay,” I finally say. “If that’s all, then I will get going. I will be back in a couple of hours…“

“Where are you going?” he asks, his voice quite a bit stronger. He must have really needed that water.

“Just to the movies, with girls,” I lie. I can’t quite tell him that I’m going on a date. Dad still thinks that dating should be reserved for college. I disagree, of course, and so does my older sister, who has never been to college and yet is currently in a hospital, trying to push out a couple of babies.

“The movies?” he asks and pauses for an effect. “You are leaving me here alone?”

“I thought you were asleep,” I lie again. “You need your rest, and I will only be a couple of…“

“I’m starving!” Dad announces. The illness has not affected his appetite, and ever since Mom practically moved into my sister’s hospital room, I’ve been required to serve full breakfasts, lunches and dinners, most of them in bed.

“But you just had pasta…“

“That was hardly a balanced meal,” he says, covering his eyes with a plump hand. “I need protein to repair tissues and help sustain my bodily functions.”

“It had cheese…“

He peeks at me from behind the hand, his gaze permeated with hurt feelings. “What I really need right now is chicken protein, preferably in a form of a chicken soup with vegetables! The vegetables would provide the antioxidants I so desperately need to support my immune system.”

“No problem!” I say, trying to sound helpful and feeling guilty as hell. “I have a can of Campbell’s…“

“A can!” he says and lets the hand fall onto the pillow. His gaze directed to the ceiling, he asks nobody in particular, “Perhaps I have a bowel cancer, too? It must be the BPA levels in canned soup that left me unable to pass a stool since yesterday…“

“Okay!” I say and back out of the room. “I can make some soup from scratch, that’s no problem!”

In the kitchen, I empty two cans of Campbell’s chicken and vegetable soup into a pot, add a chunk of butter, and light up the stove. I open and close cupboards and bang pots and pans, as I dial Brad’s number. My hands are shaking. We’ve only been going out for a couple of weeks and tonight was going to be the third date, making it officially okay to let him put his hands under my shirt. Brad is the hottest guy on the football team, which makes him the hottest guy in school, and me the luckiest girl in the entire universe. I put the phone to my ear and listen to the beeps and the pounding of blood in my ears.

“Hello there,” he answers and I nearly burst into desperate tears.

“I’m so sorry,” I say. “I can’t go out tonight. My Dad is sick, and I thought I could sneak out, but he heard me, and he wants soup, but not from a can, and my sister is in a hospital, she is having twins, and Mom is with her, and I can’t go out. I’m so sorry!”

He doesn’t say anything for a second. “Brad?” I ask and take a breath, ready to explain the whole thing again.

“That’s okay,” he says.

“Really?” I nearly burst into tears again, the relieved kind.

“Yeah, I can wait,” he says. “I wouldn’t wait for anyone else, you know. But you are hot, babe.”

He’s never called me hot, or babe, before and my heart stops for a full second.

“Thanks,” I say. “Babe.”

I carry the pot of soup into Dad’s bedroom. He looks suspiciously at me as I ladle a bowl for him. I help prop him up with pillows and watch as he brings a shaky spoon up to his mouth.

“This is good,” he says approvingly. “Not like that canned crap.”

He asks for a second helping and then I carry the pot and bowl back into the kitchen. I dial Mom’s number, but it goes to voicemail. I think for a second, shrug, and dial Felicity’s number. It goes to voicemail, too, which is to be expected, I guess. She is probably all drugged up on an epidural or something, anyway.

I turn on the TV, but there is nothing even half-decent, which is really off-pissing on a Saturday night. Whoever comes up with a TV schedule must assume that people either have plans or paid channels. I, of course, have neither. Mindlessly flipping through ancient movies and infomercials, I wonder how long I can bear being alone with Dad and his mystery illness. It came on gradually over many months, starting around the time my sister announced that she is pregnant. It was right before her graduation, but when it turned out that her highschool sweetheart Mark knocked her up, Dad didn’t have the strength to kill him, despite many earlier promises to do so. Dad went to the graduation, but complained a lot more than usual, although I’m not sure if others noticed. Felicity was too happy to notice anything, glowing from either the pregnancy hormones or the wedding plans. She married Mark, despite Dad’s rumbles of “over my dead body”. He didn’t die, but started growing weaker every day, missed work, had trouble walking up the stairs and often paused to grasp at the left side of his chest. When Felicity told us that she was having twins, Dad announced that his pulmonary artery was on the verge of collapsing. Mom begged him to go to a hospital, but he refused, on the grounds that doctors are charlatans and hospitals are hotbeds of new and deadly bacteria.

Eventually Mom stopped begging, probably because she was too distracted by the excitement of getting not one, but two grandchildren, and by the constant need to remind Felicity of what to eat and what to do. When Felicity checked into the hospital at around the eighth month of the pregnancy, it was probably to get away from Mom, rather than to have her blood pressure monitored. Of course it didn’t work, because Mom never left her hospital room. Upon hearing of that development, Dad announced that his liver has joined the ranks of the defiant organs. He explained over and over again, usually during dinner, how the toxic waste accumulating in his blood stream was slowly destroying him from inside out, and what his liver probably looked like at that stage. Then finally, when Felicity went into labour three days ago, Dad refused to get out of the bed.

I was alone with him, and also alone with the crazy thought that maybe he was faking it. I could not say it to anyone, leave alone constantly weeping Mom, but it was there, in the back of my mind. It was in fleeting moments of anger at being involved in his bodily functions, in long stretches of wishful thinking that he will be okay, that my sister and her yet unborn twins will be okay, and in constant selfish wishes that I will be okay. It was all too much at the time when adolescent depression was ready to sink its claws into my teenage body.

A raspy cough interrupts my thoughts. Dad is in the doorway, leaning heavily on the frame and blinking at the light.

“Dad!” I jump up from the couch. “What are you doing up?”

“I tried to call for you,” he whispers. “I guess you didn’t hear me over the TV.”

I help him back into bed, choking with guilt over my previous thoughts. He looks old and defeated, not at all his usual fieldmarshal self. I can’t believe I could ever think that he is faking it, he probably is dying. I can feel the tears welling up in my eyes, and I swallow to hide them. They taste like remorse with a touch of love.

When I’m finished re-arranging the pillows and refilling his water glass, he pats the side of the bed for me to sit down. I perch on the edge, feeling very uncomfortable and using all my psychic powers to will Mom into coming back and relieving me from this duty.

“Isabella,” he says. He started calling me by my full name lately, which is not a good sign. When things are good, I’m usually “Isa”. “Isabella” is reserved for lecturing me about my poor grades, or attitude, or lack of common sense, and I honestly have not done anything wrong lately, except maybe dating Brad behind Dad’s back.

“Isabella,” he says again and takes my hand. This is excruciating. He is not a touchy-feely person and I can’t remember the last time I got a hug from him. This holding-hands-on-a-deathbed is worse than even waiting for him outside the bathroom door.

“I have to tell you something,” he croaks. I can’t help but brighten up. I’ve always hoped that I have some kind of a birth secret, like I’m actually related to royalty and will one day be shipped overseas to take my rightful place on the throne. The deathbed is a perfect place to spring that kind of news on a teenage girl.

“Your maternal grandfather,” he begins, and I nearly faint. This is it! I always knew I was special, not the learning-disabled kind, but the psychic, or magical, or at least royal blood sort. I grip Dad’s hand, and he takes it as a sign of encouragement.

“He didn’t like me from the start, you know? I was too young, too poor, and too skinny for his Princess.”

His voice sounds as if from afar. My head is swimming with royal images: kings and princes staring at me with admiration; walking through an endless cathedral isle, with an equally endless train behind me; a heavy crown being placed on my chastely bowed head.

“He said that I would never amount to anything. ‘Over my dead body’ is what he said when I asked for your mother’s hand in marriage. Thankfully, your mother had a lot more sense than him, although lately I’m not so sure. ‘Over my dead body’! I showed him, of course. I am a well-respected historian, as you know, and he always was, and remained to the last day, a car mechanic.”

The images in my head disappear, as if blown aside by a cold gust of reality.

“What?”

“That’s right, a car mechanic! Sure, he maybe owned the shop and made a lot of money, but it didn’t change the fact that his nature, his very essence was that of a tinkerer! He tinkered with car parts, which required no original thought, no analysis or theory! In a way he was like one of those doctors your mother insists on, the simpletons barely able to look up symptoms in a reference manual!”

A heavy cloud fogs up my brain, as I realise that this is no deathbed revelation, that this is the same story I’ve heard at least a hundred times. I can’t tell him that, of course, just in case he is dying and this is the last time I’m hearing it. The combination of disappointment and guilt is overwhelming and I look down in hopes that he will not see it in my eyes. He doesn’t, of course, and keeps going on and on about Grandpa.

Thankfully, the phone rings in my pocket and I answer it despite Dad’s protests. It’s Mom and she is crying. For a second another image, of my dead sister, enters my head, but then Mom starts screaming, “Boys! Boys!”

“What?” My first thought is that she somehow found out about my dating, although I’m dating only one boy. Mom explains that Felicity just had two boys and that I’m now a fifteen-year old auntie.

“Wow,” is all I can manage to say, over and over. I mouth “two boys” to Dad, who seems to be either pouting or smiling that sad smile again. Mom passes the phone to Felicity, who sounds tired and groggy, just like I’d imagined.

“Congratulations!” I exclaim and inwardly congratulate myself on coming up with something appropriate to say.

“Thanks,” she says. “Boy, I’m glad it’s two of them, because I’m never doing this again!”

I laugh hysterically and she asks when I’m coming to see them.

“I don’t know, Dad has taken a turn for the worse,” I say and Dad nods in approval. “Maybe when Mom is back home?” I look at Dad and he nods again.

“When is he coming to see them?” Felicity asks and suddenly she doesn’t sound groggy at all.

“I don’t know, talk to him,” I say and pass the phone to Dad, who looks at it as if it’s a bomb, but takes it and holds it to his ear.

Dad starts saying his version of congratulations into the phone, but Felicity cuts him off. I can’t hear what she is saying, other than it sounds like barking. Whatever it is, it has a magical healing effect on Dad. Color returns to his cheeks and he even sits up in bed.

“I’m not…“ he says, but the barking does not stop. I can only hear his side of the conversation, and it sounds like a defendant trying to appease Judge Judy. The color in his cheeks turns from peachy pink to beetroot red.

“You don’t understand…“

“The symptoms…“

“Of course I do!”

“Please don’t!”

Finally the barking stops. Dad takes the phone away from his ear and looks at it for a moment, then pushes a button and hands it back to me. I stare at him.

“We are going to the hospital,” he says finally.

“Oh my God!” I freak out with realisation that the news must have pushed his liver over the edge. “I can’t drive! We have to call you an ambulance! Can you wait for an ambulance?”

“Not for me,” he waves me off and pushes the comforter away. “Let’s go see the babies.”

“But…what about your condition?”

He ignores me and swings his legs down, searching for slippers with his feet. His face is contorted in a deep thought.

“I still can’t drive…we can call a taxi, I guess…”

“I’m not paying for a taxi,” he says and shuffles towards the wardrobe.

I don’t know what to say, so I say nothing, just follow his lead. When fifteen minutes later we get into the station wagon, the color in his face is back to peachy pink and he almost looks healthy. We drive through the dark streets in complete silence.

“Grandpa,” he says.

Not again. “I know, he was a car mechanic and he didn’t want you to marry Mom…“

“No, I mean me. I’m a grandpa. A bit early, if you ask me.”

I laugh from surprise and relief. “Tell me about it. I’m an auntie at fifteen! I’ve never even babysat! I’m probably going to drop one of the boys and Felicity will have to kill me…”

“Nah,” he says, and smiles. This one is good, a hearty full smile. “You’ll be great.”

“Really? You think so?”

“For sure. You are good at so many things.” He doesn’t say what they are and I hope that he is not thinking that lying is one of them. Still, it makes me feel warm inside, for the first time in weeks, if not months.

“Thanks,” I say. “You’ll be a great grandpa. I mean, you will be great at being a grandpa, not that you will be a great grandpa. I mean, one day, you will live to be a great grandpa. I hope.” I look at him, dreading his response, but he doesn’t look back. Only the hearty full smile is still there.

“For sure,” he says and we keep on driving through the dark.

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